The image work in See Also involves reorganizing the hierarchy of photography by using the depth and duration of my attention instead of light and movement as guides to exposure. I am prioritizing film's capability as a recorder of time over that of a depicter of space. In conjunction with the photographs, See Also includes a growing text that theorizes an ontology of the photograph, challenges ways of knowing and reading a photograph, and impels a reconsideration of time spent.


DOWNLOAD PDF